X VITAMIN

After years dedicated to radical experimentation, performances, and different conceptualist practices, the late 1980s and 1990s saw a departure in the work of Raša Todosijević and an unexpected turn to “classical” artistic media. The drawings and watercolours he produced during the crisis-ridden 1990s became the main means of expression with which Todosijević provided his commentary on society, drew certain relations, historicised and demythologised public, popular, and political discourses.